Hylo-Vision-Plus. Version 2

In the second part of his visual intoxication, whose name comes from the eponymous eye drops, Dietmar Brehm explores a grotesque dance between life and death. A silhouette flitting silently across the screen and the stroke of a gong that introduces the horror slumbering beneath everything. A montage of grimaces condenses into a flicker driven by post-punk rhythms that ends as suddenly as it began.