{"id":93649,"date":"2026-02-14T16:09:33","date_gmt":"2026-02-14T15:09:33","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=93649"},"modified":"2026-03-24T11:10:54","modified_gmt":"2026-03-24T10:10:54","slug":"diagonale-preise-filmmusik-26","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/diagonale-preise-filmmusik-26\/","title":{"rendered":"| Diagonale Awards Film Score 2026 |"},"content":{"rendered":"

endowed with<\/p>\n

\u20ac 3,000 each \u2014 donated by ACOM \u2013 Austria Composers Association and AKM<\/strong><\/p>\n

\n

The prize money is awarded to the composer of the respective film score. All feature-length Austrian fiction and documentary films nominated by the association at Diagonale \u201926 will be considered for the Best Film Score Award.<\/p>\n

xxx<\/pre>\n
| BEST FILM SCORE FEATURE FILM |
\n| by ACOM \u2013 Austrian Composers Association |<\/strong><\/p>\n
Tara Nome Doyle<\/strong>
\nRose<\/strong><\/em><\/p>\n
Jury Statement:<\/p>\n
\n
\n
\n
\n
In this film, the music unfolds as a haunting force that subverts the visible and makes the invisible audible. Tara Nome Doyle\u2019s a cappella composition dispenses with any instrumental support, thereby laying bare the voice itself. Her voice becomes a resonant space for all that remains unspoken between the characters. It carries tensions, shifts meanings, and opens an inner space that we can neither fully grasp nor entirely escape. Tara Nome Doyle accompanies Rose<\/em> like a quiet breath moving through the film\u2019s poetic imagery and the magnificent performances of Sandra H\u00fcller and Caro Braun, lending the film a piercing and vulnerable depth.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
and<\/p>\n
| BEST FILM SCORE DOCUMENTARY FILM |
\n| by ACOM \u2013 Austrian Composers Association |<\/strong><\/p>\n
Yuri Nosenko<\/strong>
\nA Russian Winter<\/strong><\/em><\/p>\n
Jury Statement:
\nRelatively early on, we see an archived punk performance by Yuri Nosenko, the composer and one of the film\u2019s protagonists. It is a dissident statement that, in the current situation of the Russian exiles whose lives the film traces, is almost entirely lost. The sounds Nosenko develops over the course of the film correspond to its theme of dissolved connections, yet within this state \u2014 much like the artificial visual spaces, the costumes, and the production design \u2014 they find an idiosyncratic freedom that slips away from fixed attributions and identities. The jury honors a work of musical style-making that, in a world coming apart, refuses to be pinned down.<\/p>\n
 <\/p>\n
 <\/p>\n
Jury Feature Film<\/a>:
\nUlrike M\u00fcller<\/strong> (Casting Director, DE)
Ivan Salati\u0107<\/strong> (Director & Screenwriter, ME)
\nCyril Sch\u00e4ublin<\/strong> (Director & Screenwriter, CH)*<\/p>\n
Jury Documentary Film<\/a>:
\nSusanna Guggenberger<\/strong> (Producer & Festival Director, AT\/CH)
\nJan K\u00fcnemund<\/strong> (Cultural Journalist & Curator, DE)
\nCarmen Trocker<\/strong> (Director & Curator, IT)<\/p>\n
 <\/p>\n
 <\/p>\n
*Cyril Sch\u00e4ublin stepped in at short notice for Faraz Fesharaki<\/strong> (director & cinematographer, DE\/IR), who unfortunately cannot attend the Diagonale due to the current situation in Iran.<\/p>\n
 <\/p>\n","protected":false},"excerpt":{"rendered":"
Diagonale-Preis Filmkomposition der Austrian Composers Association<\/p>\n","protected":false},"author":37,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-93649","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/93649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=93649"}],"version-history":[{"count":10,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/93649\/revisions"}],"predecessor-version":[{"id":95472,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/93649\/revisions\/95472"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=93649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}