endowed with<\/p>\n
\u20ac 3,000 each – donated by VdFS – the Film Industry’s Collecting Society<\/strong><\/p>\n The prize money is awarded to the editor of the respective film. All feature-length Austrian fiction and documentary films from Diagonale \u201926 competition will be considered for the Best Artistic Editing Award.<\/p>\n <\/p>\n | BEST ARTISTIC EDITING FOR A FEATURE FILM |<\/strong> Anna Garncarczyk<\/strong> Jury Statement: and<\/p>\n | BEST ARTISTIC EDITING FOR A DOCUMENTARY FILM |<\/strong> Bettina Blickwede<\/strong> Jury Statement: <\/p>\n <\/p>\n
\nxxx<\/pre>\n
\n| of the aea \u2013 Austrian Film Editing Association |<\/strong><\/p>\n
\nTeresas K\u00f6rper<\/strong><\/em><\/p>\n
\nThe bodies of a mother afflicted by back pain and her daughter meet, touch, and respond to one another. By carefully orchestrating this encounter, the editing invites us, in a playful way, to trace the physicality between generations. Just as the daughter can sometimes answer her mother only through dance, the editing too follows a precisely constructed, dreamlike logic.<\/p>\n
\n| of the aea \u2013 Austrian Film Editing Association |<\/strong><\/p>\n
\nMit \u00c4sten bis zum Himmel<\/strong><\/em><\/p>\n
\nAt the center here are children \u2014 their abilities, their delight in play, and their urge to make the world their own. In their shared energy, joy in life is multiplied and a bridge is built to the audience.The editing achieves something remarkable: it makes palpable just how much of this experience lies in rhythm. It places the specific perception of people with visual impairments at the center and translates acoustic and spatial orientation into a visual language. While the institution remains discreetly in the background, the editing allows us to immerse ourselves deeply in a world we have neither heard nor seen in quite this way before.<\/p>\n