{"id":93472,"date":"2026-02-25T09:46:53","date_gmt":"2026-02-25T08:46:53","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=93472"},"modified":"2026-03-05T16:40:38","modified_gmt":"2026-03-05T15:40:38","slug":"diagonale-26-trailer-von-michael-guelzow","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/diagonale-26-trailer-von-michael-guelzow\/","title":{"rendered":"| Diagonale \u201926 | Trailer |"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Diagonale would like to thank <a href=\"https:\/\/www.thegrandpost.com\/\">The Grand Post \u2013 Post Production Houses<\/a>, <a href=\"https:\/\/www.museum-joanneum.at\/kunsthaus-graz\">Kunsthaus Graz<\/a> and legero united &#8211; the shoemakers | Initiator of con-tempus.eu (<a href=\"https:\/\/www.facebook.com\/contempus.eu\">Facebook<\/a> | <a href=\"https:\/\/www.instagram.com\/con_tempus\/\">Instagram<\/a>) for their support in the realisation of the D26 trailer.<\/p>\n<pre>xxx<\/pre>\n<p><iframe loading=\"lazy\" hcb-fetch-image-from=\"https:\/\/vimeo.com\/1170694754?share=copy&amp;fl=sv&amp;fe=ci\" src=\"https:\/\/player.vimeo.com\/video\/1170694754?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p><strong>A co-production of Diagonale and Kunsthaus Graz<\/strong><\/p>\n<p data-start=\"0\" data-end=\"396\">Welcome to Diagonale 2026! To arrive on time, you\u2019ll obviously need a reliable way to travel to the Styrian capital. Did you, like in <em data-start=\"134\" data-end=\"152\">The Time Machine<\/em>, pull an old-fashioned lever and watch colorful lights start blinking? Did you try it <em data-start=\"239\" data-end=\"256\">Deep Space Nine<\/em>-style with a transporter beam? Or did you, like in <em data-start=\"308\" data-end=\"324\">Time Travelers<\/em>, jump through a time portal and land \u043f\u0440\u044f\u043c\u043e in front of the Kunsthaus? In any case, in <em><strong>The Paradox Encounter on March 18, 2026<\/strong><\/em>, anything is possible: media artist Michael G\u00fclzow has created not just one, but three fantastic Diagonale trailers, and with these classics from film and television history he invites you on a wonderfully witty journey through time. In the end, of course, all roads lead to Graz.<\/p>\n<p data-start=\"738\" data-end=\"1050\" data-is-last-node=\"\" data-is-only-node=\"\">Concept\/Direction: Michael G\u00fclzow | Cinematography: Arthur Summereder | Production Management\/Sound: Jennifer Mattes | Costume Design: Johanna Pflaum | Lighting: Fabian Czerszinski | Make-up: Stephanie Schreiber | Assistant: Cristina R\u00fcesch | Cast: Clemens Berndorff, Sissi Reich, Anna Rieser, Maximilian Sellner<\/p>\n<p><strong><br \/>\nExhibition at the Kunsthaus Graz:<\/strong><br \/>\nMichael G\u00fclzow<br \/>\n<em>Das Tor zur Unwirklichkeit<\/em><\/p>\n<p data-pm-slice=\"1 1 []\">What if we could move effortlessly back and forth between news, science fiction, and fake worlds? In Michael G\u00fclzow\u2019s video installation, we travel with the protagonists through time and realities. The filmmaker explores the media construction of truth and, by editing together found footage and his own material, blurs the line between reality and fiction. With a humorous touch, he makes the mechanisms of manipulation visible and deconstructs post-truth narratives. Curated by Martin Grabner.<\/p>\n<p>Midissage: Thursday, March 12, 6 p.m.<br \/>\nExhibition duration: until March 29, 2026<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Michael G\u00fclzow<\/strong><\/p>\n<div id=\"attachment_93473\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-93473\" class=\"wp-image-93473 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254-524x295.jpg\" alt=\"Michael G\u00fclzow\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254-768x432.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254-1536x864.jpg 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Michael-Guelzow_2-\u00a9-Diagonale_Paul-Pibernig-scaled-e1770913757254.jpg 1707w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-93473\" class=\"wp-caption-text\">Michael G\u00fclzow in October \u201925 \u00a9 Paul Pibernig<\/p><\/div>\n<div class=\"\">\n<p class=\"\"><span class=\"\">Michael G\u00fclzow, born in 1982 in Kiel, lives and works in Vienna. He studied at the Academy of Fine Arts Vienna under Constanze Ruhm and Harun Farocki, and at the Muthesius University of Fine Arts and Design in Kiel under Stephan Sachs and Else Gabriel. In 2025, he received the Diagonale Award for Innovative Cinema from the City of Graz. In his award-winning film <em><strong><a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fid=12958\">Der tote Winkel der Wahrnehmung<\/a><\/strong><\/em> (<em data-start=\"365\" data-end=\"395\">The Blind Spot of Perception)<\/em>, he humorously blurs the boundary between fiction and documentary and deconstructs \u201cthe mechanisms of manipulation \u2014 and thus also the way conspiracy mythologies function,\u201d as the 2025 jury stated.<\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<pre>xxx<\/pre>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h6>Diagonale would like to thank the trailer cinemas:<\/h6>\n<p>Admiral Kino \/ Vienna<br \/>\nAnnenhof Kino \/ Graz<br \/>\nBreitenseer Lichtspiele \/ Vienna<br \/>\nBurg Kino \/ Vienna<br \/>\nCineCenter \/ Vienna<br \/>\nCinema Paradiso \/ Baden<br \/>\nCinema Paradiso \/ St. P\u00f6lten<br \/>\ncinematograph\u00b7leokino \/ Innsbruck<br \/>\nCineplexx Kinobetriebe GmbH &amp; Lichtspieltheater Betriebs GmbH \/ Austria<br \/>\nCity-Kino \/ Linz<br \/>\nDAS KINO \/ Salzburg<br \/>\nDieselkino \/ Austria<br \/>\nFilmcasino \/ Vienna<br \/>\nFilmclub Bozen<br \/>\nFilmhaus \u2013 Kino am Spittelberg \/ Vienna<br \/>\nFilmszene Ottensheim<br \/>\nFilmzentrum im Rechbauerkino \/ Graz<br \/>\nGartenbaukino \/ Vienna<br \/>\nGUK-Kulturkino \/ Feldkirch<br \/>\nKino De France \/ Vienna<br \/>\nKino Ebensee<br \/>\nKino Freistadt<br \/>\nKino Gr\u00f6bming<br \/>\nKino im Kesselhaus \/ Krems<br \/>\nKINOLA \/ Lambach<br \/>\nKIZ RoyalKino \/ Graz<br \/>\nLichtspiele Lenzing<br \/>\nMETRO Kinokulturhaus \/ Vienna<br \/>\nMoviemento \/ Linz<br \/>\nNationalparkkino Illmitz<br \/>\nParktheater Lindau<br \/>\nProgrammkino Wels<br \/>\nSchikaneder \/ Vienna<br \/>\nSchubert Kino \/ Graz<br \/>\nSpielboden Dornbirn<br \/>\nStadt-Kino Horn<br \/>\nStadtkino Bruck an der Mur<br \/>\nStadtkino im K\u00fcnstlerhaus \/ Vienna<br \/>\nStar Movie \/ Austria<br \/>\nTheatiner Filmkunst \/ Munich<br \/>\nTop Kino \/ Vienna<br \/>\nVotiv Kino \/ Vienna<br \/>\nWerkstattkino \/ Munich<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; Diagonale would like to thank The Grand Post \u2013 Post Production Houses, Kunsthaus Graz and legero united &#8211; the shoemakers | Initiator of con-tempus.eu (Facebook | Instagram) for their support in the realisation of the D26 trailer.  A co-production of Diagonale and Kunsthaus Graz Welcome to Diagonale 2026! To arrive on time, [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-93472","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/93472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=93472"}],"version-history":[{"count":3,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/93472\/revisions"}],"predecessor-version":[{"id":94742,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/93472\/revisions\/94742"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=93472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}