{"id":92528,"date":"2025-09-02T14:35:04","date_gmt":"2025-09-02T12:35:04","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=92528"},"modified":"2025-12-30T12:20:30","modified_gmt":"2025-12-30T11:20:30","slug":"rueckblick-diagonale-2025","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/festival\/rueckblick-diagonale-2025\/","title":{"rendered":"| Diagonale | 2025 | Recap |"},"content":{"rendered":"<p>The Diagonale \u201825 program booklet with the complete programme is available for download \u2192 <a href=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D_25_Festivalguide_WEB.pdf\">here<\/a> (only in german).<\/p>\n<hr \/>\n<p>Diagonale Edition<em id=\"bAbstract\"><strong><br \/>\nAustria \u2013 A Satire<\/strong><br \/>\n<\/em><span data-contrast=\"auto\">with texts by Lucile Dreidemy, Lea Susemichel, Stefan Grissemann, Bert Rebhandl, Manuela Tomi\u0107, Andreas Ungerb\u00f6ck and others on the film history program, published in 2025 by Czernin Verlag (128 pages | ISBN: 978-3-7076-0876-2).<br \/>\n<\/span>\u2192 Available <a href=\"https:\/\/www.czernin-verlag.com\/buch\/osterreich-eine-satire\">here<\/a>, only in german (12,&#8211; \u20ac)<em id=\"bAbstract\"><\/em><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<pre>xxx<\/pre>\n<p><strong>Despite the tense cultural-political situation and unpredictable weather great atmosphere in Graz!<\/strong><\/p>\n<div id=\"attachment_91465\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-91465\" class=\"wp-image-91465 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-524x295.jpg\" alt=\"Helmut List Halle au\u00dfen\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-768x433.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-1536x865.jpg 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/03\/D25_Helmut-List-Halle-Eroeffnung_72dpi_\u00a9Harald-Wawrzyniak_25-1-scaled-e1756812998626-2048x1154.jpg 2048w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-91465\" class=\"wp-caption-text\">Diagonale \u201925 opening night at the Helmut List Halle \u00a9 Harald Wawrzyniak<\/p><\/div>\n<p><strong>The Festival of Austrian Film took place for the 28th time in Graz from March 27 to April 1, 2025 \u2013 once again under the artistic direction of Dominik Kamalzadeh and Claudia Slanar. The spring in Graz, traditionally arriving with the Festival of Austrian Film, showed its wet and cold side this year \u2013 providing perfect cinema weather! <\/strong><\/p>\n<p>\u201cDespite the tense cultural-political situation and unpredictable weather, the Diagonale brought a great atmosphere to Graz! The festival once again proved itself as a place where one could be enriched by the diverse perspectives of Austrian film art. As part of a strong cultural and film scene, it demonstrated that its strength and power lie in sharpening the view and not losing courage. The award winners of Diagonale 2025 demonstrated how strongly Austrian cinema has opened up to an international context. They stand for the plurality of Austrian society and prove a critical spirit. We congratulate the winners warmly! We are very happy about the lively audience response, that we were able to record even more visitors in the cinemas than last year and that many screenings were sold out. Our thanks go to our wonderful team, without whom a festival of this size would not be feasible. Thanks also to the filmmakers, producers and distributors who have once again placed their trust in us. We look forward to next year!\u201c \u2014 Dominik Kamalzadeh and Claudia Slanar, Festival Directors<\/p>\n<p>The Festival of Austrian Film celebratetd it\u2019s opening on March 27 in the Helmut List Halle with the Austrian premiere of\u00a0<a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fscope=films&#038;fyear=0&#038;ftitle=how+to+be&#038;fgenre=0&#038;fsearch=suchen&#038;fpage=0&#038;fid=13062\"><em><strong>How to Be Normal and the Oddness of the Other World<\/strong><\/em><\/a> by <strong>Florian Pochlatko<\/strong>, who described himself as a \u2018child of Diagonale\u2019. <strong>Ani G\u00fclg\u00fcn-Mayr <\/strong>hosted the opening evening of the 28th Diagonale in Graz. During the opening, the <strong>Great Diagonale Acting Award 2025 for services to Austrian film culture<\/strong> was presented to <strong>Inge Maux<\/strong>, a work of art designed by <strong>Maru\u0161a Sagadin<\/strong>. The acting jury members <strong>Maria K\u00f6stlinger<\/strong> and <strong>Michael Sturminger<\/strong> gave the laudatory speech and described Maux as a \u2018spectral joy generator, a big package of heart\u2019! \u00a0Among the numerous guests from the film industry, politics, business and public life were Vice-Chancellor <strong>Andreas Babler<\/strong>, State Cultural Councilor <strong>Karlheinz Kornh\u00e4usl<\/strong>, Mayor <strong>Elke Kahr<\/strong>, Deputy Mayor <strong>Judith Schwendtner<\/strong> and Cultural City Councilor <strong>G\u00fcnter Riegler<\/strong>.<\/p>\n<p><strong>Once again: A a veritable award marathon<br \/>\n<\/strong>The heart of the past festival edition was once again the <strong>film competition with 113 films<\/strong>, the spectrum of which in 2025, in addition to established filmmakers, was characterized by a particularly large number of debuts and new discoveries. As usual, feature, documentary and innovative films of various lengths were presented \u2013 83 productions celebrated their world or Austrian premieres on the Graz cinema screens as part of the festival.Hosted by <strong>Zaid Alsalame<\/strong> and <strong>Monika Klengel<\/strong>, with musical accompaniment by <strong>Basquel<\/strong>, the Diagonale Awards were presented on March 31 in the largest hall of the Annenhof Cinema in the presence of a large number of filmmakers and foundation representatives, most notably the <strong>Grand Diagonale Awards of the Province of Styria<\/strong> for <strong>Best Feature Film<\/strong> and <strong>Best Documentary Film<\/strong>. <strong>Mo Harawe<\/strong> was awarded for \u00a0<a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fscope=films&#038;fyear=0&#038;ftitle=village&#038;fgenre=0&#038;fsearch=suchen&#038;fpage=0&#038;fid=12771\"><em><strong>Village Next to Paradise<\/strong><\/em><\/a> and <strong>Lisa Polster<\/strong> for <a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fscope=films&#038;fyear=0&#038;ftitle=b%C3%BCrglkopf&#038;fgenre=0&#038;fsearch=suchen&#038;fpage=0&#038;fid=12884\"><em><strong>B\u00fcrglkopf<\/strong><\/em><\/a> . The <strong>Diagonale Award for Innovative Cinema of the City of Graz<\/strong> went to <strong>Michael G\u00fclzow<\/strong> for <a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fscope=films&#038;fyear=0&#038;ftitle=der+tote+winkel&#038;fgenre=0&#038;fsearch=suchen&#038;fpage=0&#038;fid=12958\"><em><strong>Der tote Winkel der Wahrnehmung<\/strong><\/em><\/a>. All award winners received a work of art, designed and made by the artist <strong>Anna Paul<\/strong>: the <strong>golden Diagonale Nut<\/strong>, a scale bronze sculpture of a nutmeg that fits in any trouser or skirt pocket \u2013 a companion for all occasions, which also celebrated its tenth anniversary this year! The overview of the award winners and donors, as well as the jury statements, can be found \u2192 <a href=\"https:\/\/www.diagonale.at\/en\/diagonale-preise25\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>Also awarded during the Diagonale were the <a href=\"https:\/\/www.diagonale.at\/en\/kodak-analog-filmpreis-25\/\"><strong>Kodak Analogue Film Prize<\/strong><\/a> to <strong>Isabella Brun\u00e4cker<\/strong> for <a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fscope=films&#038;fyear=0&#038;ftitle=sugarland&#038;fgenre=0&#038;fsearch=suchen&#038;fpage=0&#038;fid=12659\"><em><strong>Sugarland<\/strong><\/em><\/a> on Friday evening, and the <a href=\"https:\/\/www.diagonale.at\/en\/franzgrabnerpreis-25\/\"><strong>Franz Grabner Award<\/strong><\/a> (Best Cinema Documentary Film <em><strong>M\u00e2ine M\u0103 Duc \u2013 Tomorrow I Leave<\/strong><\/em> by <strong>Maria Lisa Pichler<\/strong> and <strong>Lukas Sch\u00f6ffel<\/strong>) on Saturday evening. On Monday morning, the <a href=\"https:\/\/www.diagonale.at\/en\/carl-mayer-drehbuchpreise-25\/\"><strong>Carl Mayer Screenplay Awards<\/strong><\/a> (Main Prize to <strong>Klemens Hufnagl<\/strong> for the treatment of <em><strong>Wenn Fische Robben fressen<\/strong><\/em>) and the <a href=\"https:\/\/www.diagonale.at\/en\/thomas-pluch-drehbuchpreise-25\/\"><strong>Thomas Pluch Screenplay Awards<\/strong><\/a> (Main Prize to <strong>Mo Harawe<\/strong> for <em><strong>The Village Next to Paradise<\/strong><\/em>) were presented, and on Tuesday evening the <a href=\"https:\/\/www.diagonale.at\/en\/publikumspreis-25\/\"><strong>Kleine Zeitung Audience Award<\/strong><\/a>, which went to <em><strong>Perla<\/strong><\/em> by <em><strong>Alexandra Makarov\u00e1<\/strong><\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>FILMSPECIALS AT DIAGONALE \u201925:<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.diagonale.at\/en\/position-athina-rachel-tsangari\/\">| Position | Athena Rachel Tsangari<\/a> |<\/strong><br \/>\nDiagonale 2025 dedicated a comprehensive retrospective to director and producer Athina Rachel Tsangari, presenting Tsangari\u2019s complete oeuvre in Austria for the first time.<\/p>\n<p><a href=\"https:\/\/www.diagonale.at\/en\/position-ivette-loecker\/\"><strong>| Position | Ivette L\u00f6cker |<\/strong><\/a><br \/>\nA comprehensive retrospective with a film premiere for the documentary filmmaker, who, through her sensitive explorations of relationship dynamics, subtly reflects on societal structures.<\/p>\n<p><a href=\"https:\/\/www.diagonale.at\/en\/filmgeschichte-oesterreich-eine-satire\/\"><strong>| Film History | Austria \u2013 A Satire |<\/strong><\/a><br \/>\nIn seven programs, the festival embarked on a quest to explore the satirical works from 1976 to 1989 in Austrian film and television history.<\/p>\n<p><a href=\"https:\/\/www.diagonale.at\/en\/filmgeschichte-aus-dem-giftschrank\/\"><strong>| Film History | From the Giftschrank |<\/strong><\/a><br \/>\nWien-Films toxic legacy in three programs.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>SUPPORTING PROGRAM \u201925:<\/strong><\/p>\n<p>With the support of the festival&#8217;s main sponsor, Steierm\u00e4rkische Sparkasse, in-depth talks and discussions took place under the title <em><strong>Nachspann<\/strong><\/em> and <em><strong>Nachspann EXTRA<\/strong><\/em> \u2013 for cinema that goes beyond the screen, including with Florian Pochlatko, Luisa-C\u00e9line Gaffron, Ivette L\u00f6cker, Inge Maux, Paul Poet and Lisa Polster. The festival&#8217;s industry meeting, the <a href=\"https:\/\/www.diagonale.at\/en\/filmmeeting25\/\"><strong>Film Meeting<\/strong><\/a>, focused on topics such as inclusion and barrier reduction, cinema as a social space and film and funding policy in Austria. In the Forum in Heimatsaal, there was also, among other things, a special on <strong>Let&#8217;s talk about Scripts! <\/strong>with Alexandra Makarov\u00e1, the FC Gloria Salon and the magazine presentation of <strong>YES&amp;NO<\/strong>.<\/p>\n<p>Traditionally, the exhibition at Kunsthaus Graz was also closely associated with the festival: <strong>Simona Obholzer<\/strong>, the designer of the <strong><a href=\"https:\/\/www.diagonale.at\/en\/diagonale-25-trailer-von-simona-obholzer\/\">Diagonale \u201925 trailer<\/a><\/strong>, presented her exhibition &#8216;<em>Pleasant to the Eye, Soft to the Feet&#8217;<\/em> there, while <strong>Susanna Flock<\/strong> was a guest with her installation <em>&#8216;Unmatched Signals&#8217;<\/em> at Kunsthalle Graz. The <strong>Street Cinema Graz<\/strong> was moved to the Lendhotel due to bad weather, which did not detract from the good atmosphere, and the <strong>Cinema Next Breakfast Club<\/strong> invited people to exchange experiences under the title <em>&#8216;The Joke&#8217;s on \u2013 Humorous Storytelling in Film&#8217;<\/em>. The audience was able to end the festival days both relaxed at the Diagonale Bar in the Volksgarten Pavillon \u2013 hosted by Eule Bier \u2013 and dancing wildly at Club Diagonale, which made its debut at Forum Stadtpark this year.<\/p>\n<p>The wonderful <a href=\"https:\/\/www.diagonale.at\/en\/team-2025\/\">team<\/a> once again made a significant contribution to the success of the festival in 2025 and deserve the greatest thanks!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<pre>xxx<\/pre>\n\n","protected":false},"excerpt":{"rendered":"<p>Filmwettbewerb, filmhistorische Programme, die Schienen Zum Kollektiv und In Referenz sowie das Rahmen- und Vermittlungsprogramm<\/p>\n","protected":false},"author":37,"featured_media":0,"parent":78522,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-92528","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/92528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=92528"}],"version-history":[{"count":6,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/92528\/revisions"}],"predecessor-version":[{"id":92956,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/92528\/revisions\/92956"}],"up":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/78522"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=92528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}