{"id":90000,"date":"2025-02-22T14:35:52","date_gmt":"2025-02-22T13:35:52","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=90000"},"modified":"2025-04-01T19:59:35","modified_gmt":"2025-04-01T17:59:35","slug":"preise-schnitt-25","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/preise-schnitt-25\/","title":{"rendered":"| Diagonale Awards Editing 2025 |"},"content":{"rendered":"

endowed with<\/p>\n

\u20ac 3,000 each \u2014 donated by VdFS \u2013 the Film Industry\u2019s Collecting Society
\n<\/strong><\/p>\n

\n

The prize money is awarded to the editor of the respective film. All feature-length Austrian fiction and documentary films from Diagonale \u201925 competition will be considered for the Best Artistic Editing Award.<\/p>\n

<\/h4>\n
xxx<\/pre>\n
| BEST ARTISTIC EDITING FOR A FEATURE FILM |<\/strong>
\n| of the Film Editing Association aea |<\/strong><\/p>\n
Roland St\u00f6ttinger<\/strong>
\nMond<\/strong><\/p>\n
Jury Statement:
\nSeemingly without hesitation, the main character in Mond<\/em> makes her decisions \u2013 and the editing pushes us right along with her from one scene to its consequence: before we know it, we are right in the middle of it, and now how can we ask: What is true, what is right?\u00a0The editing and narrative correspond precisely in this extraordinary film, which raises more questions than it answers. And although the journey ultimately leads back home, there is little heroic about the return.<\/p>\n
and<\/p>\n
| BEST ARTISTIC EDITING FOR A DOCUMENTARY FILM |<\/strong>
\n| of the Film Editing Association aea |<\/strong><\/p>\n
Michael Palm<\/strong>
\nHenry Fonda for President<\/strong><\/p>\n
Jury Statement:
\nTo edit a three-hour film lecture from an overwhelming amount of material, one that remains engaging and spans such a wide temporal arc \u2013 from 1651 to the 1980s in the USA \u2013 and yet remains painfully politically relevant. Self-doubt becomes a word from the past. Following so many threads, invoking names, staging history, and layering stories like a road movie. All of this is an art.<\/p>\n
 <\/p>\n
 <\/p>\n
 <\/p>\n
Jury Feature Film<\/a>
\nHans Broich<\/strong> (Director, Producer, DE)
\nMalika Rabahallah<\/strong> (Festival Director, Producer, DE\/FR)
\nNele Wohlatz<\/strong> (Director, DE)<\/p>\n
Jury Documentary Film<\/a>
\nAnnett Busch<\/strong> (Curator, Writer, DE)
\nStefan Neuberger<\/strong> (Cinematographer, DE)
\nChristof Schertenleib<\/strong> (Editor, Director, CH)<\/p>\n
 <\/p>\n
 <\/p>\n
 <\/p>\n
 <\/p>\n
 <\/p>\n
 <\/p>\n","protected":false},"excerpt":{"rendered":"
Diagonale-Preis Schnitt des Verbandes Filmschnitt aea<\/p>\n","protected":false},"author":37,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-90000","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/90000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=90000"}],"version-history":[{"count":0,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/90000\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=90000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}