endowed with<\/p>\n
\u20ac 3,000 each \u2014 donated by ACOM \u2013 Austria Composers Association and AKM<\/strong><\/p>\n The prize money is awarded to the composer of the respective film score. All feature-length Austrian fiction and documentary films nominated by the association at Diagonale \u201925 will be considered for the Best Film Score Award.<\/p>\n | BEST FILM SCORE FEATURE FILM | Dorit Chrysler<\/strong> <\/p>\n and<\/p>\n | BEST FILM SCORE DOCUMENTARY FILM | Alicia Mendy & Baby Volcano<\/strong> Jury Statement: <\/p>\n
\nxxx<\/pre>\n
\n| by ACOM \u2013 Austrian Composers Association |<\/strong><\/p>\n
\nHappyland
\n<\/strong>
\nJury Statement:
\nThe protagonists of the film are musicians, and vice versa: the music is the focal point of a narrative that takes its characters seriously in their desires, their pathos, and their humor.\u00a0Dorit Chrysler\u2019s compositions not only carry the film \u2013 they connect worlds, tell of departure and fragility, and remain distinct in their own right.<\/p>\n
\n| by ACOM \u2013 Austrian Composers Association |<\/strong><\/p>\n
\nGirls & Gods<\/strong><\/p>\n
\nIn the film\u2019s search for the most fitting argument, fighting in the ring with patriarchy, it requires rapped, accelerated support and energetic beats. In this sense, the film\u2019s music acts as a forward-driven force, both functioning independently and in harmony with the overall structure of the film.<\/p>\n<\/h4>\n