endowed with<\/p>\n
\u20ac 15,000 \u2013 donated by the Province of Styria\/Culture<\/strong><\/p>\n \u20ac 1,000 \u2013 donated by the streaming platform watchAUT plus a promotional credit on watchAut over <\/p>\n and a voucher for The prize money will be awarded to the director of the film, the voucher to the film\u2019s production company. All Austrian feature films presented in the Diagonale \u201925 competition program will be considered for the Grand Diagonale Documentary Film Award.<\/p>\n <\/p>\n | FOR BEST DOCUMENTARY FILM |<\/strong><\/p>\n Lisa Polster<\/strong> Jury Statement: The locals also benefit from this and hire cheap labor as needed. Gradually, a shift in perspective emerges, creating a complex image of Austrian and European migration policies and everyday racism. Director Lisa Polster and her cinematographer Jasmin Schwendinger fundamentally shift the notion of a beautiful view.<\/p>\n <\/p>\n <\/p>\n
\n\u20ac 3.000<\/strong><\/p>\n
\n\u20ac 4,000 \u2013 donated by The Grand Post \u2013 Post Production Houses<\/strong><\/p>\n
\nxxx<\/pre>\n
\nB\u00fcrglkopf<\/strong><\/p>\n
\nThe view of the picturesque mountain landscape of Tyrol changes and distorts with every shot, with every cut. What is a hiking area and weekend retreat for some, is captivity for others. Up on the mountain, at an altitude of 1300 meters, people are housed who are fleeing and waiting for the outcome of their asylum process. The denial of a filming permit influences the artistic form. Lisa Polster doesn’t give up, and she succeeds in making contact with several men from the B\u00fcrglkopf return center. The open cinematography places the men’s conversations \u2013 who come, among other places, from Syria, Iraq, and Sudan \u2013 in relation to the backdrop of the alpine landscape, the tourism industry, and, in turn, to the local population’s commentary.<\/p>\n