{"id":88026,"date":"2024-04-08T13:23:01","date_gmt":"2024-04-08T11:23:01","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=88026"},"modified":"2024-12-06T11:30:13","modified_gmt":"2024-12-06T10:30:13","slug":"carl-mayer-drehbuchpreise-2024","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/carl-mayer-drehbuchpreise-2024\/","title":{"rendered":"| Carl Mayer Screenplay Prize | 2024 |"},"content":{"rendered":"<p><strong>Monday April 8, 2024<\/strong><br \/>\n11 a.m.<br \/>\nDiagonale <em>Forum<\/em><br \/>\nat the Heimatsaal<\/p>\n<p>Awarded together with the <a href=\"https:\/\/www.diagonale.at\/thomas-pluch-drehbuchpreise-24\/\">Thomas Pluch Screenplay Prizes<\/a> at a ceremony in co-operation with the City of Graz&#8217;s Department of Culture and the drehbuchVERBAND.<\/p>\n<p><a href=\"https:\/\/www.diagonale.at\/en\/bisherige-drehbuchpreise\/\">Previous Winners<\/a><\/p>\n<pre>xxx<\/pre>\n<p><strong>Theme 2024: &#8220;Intoxication&#8221;<\/strong><\/p>\n<p>For an anonymously submitted fictional or documentary treatment suitable for cinema.<\/p>\n<p>Prize money: \u20ac 15,000 (main prize) and \u20ac 7,500 (sponsorship prize), initiated, organised and donated by the City of Graz Department of Culture as part of the Diagonale.<\/p>\n<p><strong>Jury 2024:<br \/>\n<\/strong>Sebastian H\u00f6glinger (jury chairman), Felix von Boehm (producer), Thomas Mraz (actor), Franziska Pflaum (filmmaker), Fran\u00e7oise von Roy (dramaturge)<\/p>\n<p><strong>Main prize<\/strong>, endowed with <strong>\u20ac 15,000, <\/strong>to:<br \/>\n| <strong> Soldat |<\/strong> Treatment by<strong> Vivian Bausch<\/strong> and <strong>Fabian Rausch<\/strong><\/p>\n<p>Excerpt from the jury statement:<br \/>\n&#8220;An 11-year-old girl in a military jacket. When Kathi marches through the prefabricated housing estate in Linz-Auwiesen, the oversized textile is both armour and camouflage. Clearly too big for her age, the girl remains an outsider at school. In contrast, the superbly drawn teenage boys&#8217; clique promises warmth and lightness. <em>Soldat<\/em> describes a constant, reciprocal transit between worlds &#8211; being a child, teenager and adult, searching and arriving. The father figures are absent and fail, while the mothers drift between being overwhelmed and caring. Even in the most tragic moments, <em>Soldat <\/em>preserves the dignity of his characters, a multi-dimensionality that is rarely seen in such early stages of material development.&#8221;<\/p>\n<p><strong>Sponsorship award<\/strong>, endowed with<strong> \u20ac 7,500, <\/strong>to:<br \/>\n| <strong> Ilvie (renaissance) | <\/strong>Treatment by <strong>Elena Wolff<\/strong><\/p>\n<p>Excerpt from the jury statement:<br \/>\n&#8220;Ilvie (renaissance<em>)<\/em> impresses with its immediacy and ruthlessness, with the seriousness with which young realities of life are described and portrayed. The tone is frighteningly to the point, Vanilla Sky plays on the mobile phone, nails are done, stupid things are committed. Always expecting that the charade cannot go well, we follow the protocol of self-destruction and reinvention. A portrait of our cynical present. But &#8211; and this is what already makes <em>Ilvie (reniassance)<\/em> so special &#8211; it is also the loving embrace of a longing (for belonging).&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monday April 8, 2024 11 a.m. Diagonale Forum at the Heimatsaal Awarded together with the Thomas Pluch Screenplay Prizes at a ceremony in co-operation with the City of Graz&#8217;s Department of Culture and the drehbuchVERBAND. Previous Winners  Theme 2024: &#8220;Intoxication&#8221; For an anonymously submitted fictional or documentary treatment suitable for cinema. Prize money: \u20ac [&hellip;]<\/p>\n","protected":false},"author":37,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-88026","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/88026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=88026"}],"version-history":[{"count":0,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/88026\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=88026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}