{"id":87008,"date":"2024-03-21T11:37:57","date_gmt":"2024-03-21T10:37:57","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=87008"},"modified":"2026-03-05T12:25:17","modified_gmt":"2026-03-05T11:25:17","slug":"extras","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/extras\/","title":{"rendered":"| Extras |"},"content":{"rendered":"<div id=\"attachment_94137\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94137\" class=\"wp-image-94137 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1-524x295.png\" alt=\"\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1-524x295.png 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1-368x207.png 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1-176x99.png 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1-768x432.png 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1-1536x864.png 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Trailer_D26_Michael-Guelzow_1.png 1920w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-94137\" class=\"wp-caption-text\">Trailer Diagonale 2026 \u00a9 Michael Guelzow<\/p><\/div>\n<p class=\"p1\"><strong><em>Das Tor zur Unwirklichkeit<br \/>\n<\/em>Michael Gu\u0308lzow<\/strong><\/p>\n<p class=\"p1\">What if we could effortlessly move between news, science fiction, and fake worlds? In Michael G\u00fclzow&#8217;s video installation, we travel with the protagonists through time and realities. The filmmaker examines the media construction of truth and blurs reality and fiction by mounting found footage and his own material. He humorously reveals the mechanisms of manipulation and deconstructs post-factual narratives. Curated by Martin Grabner.<\/p>\n<p class=\"p1\">Kunsthaus Graz<br \/>\nMidissage: Friday, March 12, 6 p.m.<br \/>\nExhibition: Februar 20 to March 29<br \/>\nFestival opening hours: daily 10 a.m. to 6 p.m., free admission<\/p>\n<p class=\"p2\">In Cooperation with <a href=\"https:\/\/www.museum-joanneum.at\/kunsthaus-graz\/unser-programm\/ausstellungen\/event\/diagonale-25-simona-obholzer-1\">Kunsthaus Graz<\/a><\/p>\n<hr \/>\n<div id=\"attachment_94139\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94139\" class=\"wp-image-94139 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Lisl-Ponger\u00a9Elsa-Okazaki-524x295.jpg\" alt=\"\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Lisl-Ponger\u00a9Elsa-Okazaki-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Lisl-Ponger\u00a9Elsa-Okazaki-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Lisl-Ponger\u00a9Elsa-Okazaki-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Lisl-Ponger\u00a9Elsa-Okazaki-768x432.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Lisl-Ponger\u00a9Elsa-Okazaki.jpg 1067w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-94139\" class=\"wp-caption-text\">Lisl Ponger \u00a9 Elsa Okazaki<\/p><\/div>\n<p><em><strong>Book presentation<br \/>\nLisl Ponger. Semiotische Geister \/ Semiotic Ghosts<\/strong><\/em><\/p>\n<p class=\"p1\">Lisl Ponger is a visual artist working at the intersection of art, art history, and ethnology. Using photography, film, and installation, she has developed a \u201cPonger perspective\u201d that deconstructs dominant visual regimes in art, society, and politics. This collection of essays, edited by Elisabeth Streit and Dietmar Schwarzler, is the first to examine Ponger&#8217;s entire artistic and socio-political engagement and her strategies against the iconographies of injustice.<\/p>\n<p class=\"p1\">Gatto im Museum<br \/>\nThursday, March 19, 4.30 p.m., free admission<\/p>\n<hr \/>\n<div id=\"attachment_94141\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94141\" class=\"wp-image-94141 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-524x294.jpg\" alt=\"\" width=\"524\" height=\"294\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-524x294.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-768x431.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-1536x862.jpg 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/EXTRAS_Less-is-more_c-Claudia-Larcher-2048x1150.jpg 2048w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-94141\" class=\"wp-caption-text\">\u00a9 Claudia Larcher<\/p><\/div>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Claudia Larcher<\/strong><br \/>\n<em><strong>Less is more, more, more<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Claudia Larcher examines architecture as a powerful order: spaces shape perception, emotions, and approaches, reflecting political systems and social values. In her work, Larcher moves through interior and urban spaces where absence is palpable and objects appear as witnesses to lived history. Digital collages create spaces between reality and imagination, while sound, silence, and soundscapes amplify the uncanny and make places acoustically tangible.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"p1\">Akademie Graz<br \/>\nOpening: March 6, 7 p.m.<br \/>\nClaudia Larcher in conversation with curator Eva Fischer:<br \/>\nFriday, March 20, 4 p.m., free admission<\/p>\n<p>More at <a href=\"https:\/\/akademie-graz.at\/programme\/less-is-more-more-moreclaudia-larcher\/\">akademie-graz.at<\/a><\/p>\n<hr \/>\n<div id=\"attachment_89847\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-89847\" class=\"wp-image-89847 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-524x295.jpg\" alt=\"\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-768x433.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-1536x865.jpg 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2025\/02\/Streetcinema_300dpicDiagonale_MiriamRaneburger_3-scaled-e1740135493941-2048x1154.jpg 2048w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-89847\" class=\"wp-caption-text\">\u00a9 Diagonale\/Miriam Raneburger<\/p><\/div>\n<p class=\"p1\"><a href=\"https:\/\/www.diagonale.at\/en\/?page_id=94116\"><em><strong>Short Film Walk<\/strong><\/em><\/a><br \/>\n<strong>Street Cinema Graz<\/strong><\/p>\n<p class=\"p1\">After Street Cinema 2025 was held indoors due to weather conditions, we are making another attempt at a cinematic tour of Lend \u2013 the district where the Graz Short Film Walk was launched in 2013. Visitors are invited to join a special form of open-air cinema, drifting through the alleys of the neighborhood and discovering current short films in courtyards and on building walls when they become temporary projection screens.<\/p>\n<p class=\"p1\">Friday, March 20\u00a0| 7.30 p.m.<br \/>\nMeeting point in front of the Lendhotel, Gr\u00fcne Gasse 2, 8020 Graz<br \/>\nIn case of rain, the event will take place in the foyer of the Lendhotel.<\/p>\n<p>Presented by Lendhotel<\/p>\n<div>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<hr \/>\n<div id=\"attachment_94147\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94147\" class=\"wp-image-94147 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Palmason-\u00a9-Hildur-Yr-Omarsdottir-524x295.jpg\" alt=\"\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Palmason-\u00a9-Hildur-Yr-Omarsdottir-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Palmason-\u00a9-Hildur-Yr-Omarsdottir-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Palmason-\u00a9-Hildur-Yr-Omarsdottir-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Palmason-\u00a9-Hildur-Yr-Omarsdottir-768x432.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/Palmason-\u00a9-Hildur-Yr-Omarsdottir.jpg 1067w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-94147\" class=\"wp-caption-text\">Hylnur P\u00e1lmason \u00a9 Hildur Y\u0301r O\u0301marsdo\u0301ttir<\/p><\/div>\n<p><strong>Masterclass<\/strong><br \/>\n<strong>Hlynur Pa\u0301lmason<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Hlynur P\u00e1lmason, to whom Diagonale is dedicating a comprehensive retrospective, talks to Patrick Wellinski (film critic, Deutschlandfunk Kultur) about his award-winning work in a master class. The Icelandic filmmaker provides insight into development and filming processes as well as the overlaps between visual art and film. With a curious and original eye, P\u00e1lmason creates cinematic worlds that testify to his vivid imagination and, at the same time, his deep connection to the cycles of nature.<\/p>\n<p>Schubertkino 1<br \/>\nSaturday, March 21, 2.30 p.m., free admission but ticket required<\/p>\n<hr \/>\n<div id=\"attachment_94145\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-94145\" class=\"wp-image-94145 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/KULTUM-Die-Kunstkomplizen-\u00a9-WILDartFILM-524x295.jpg\" alt=\"\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/KULTUM-Die-Kunstkomplizen-\u00a9-WILDartFILM-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/KULTUM-Die-Kunstkomplizen-\u00a9-WILDartFILM-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/KULTUM-Die-Kunstkomplizen-\u00a9-WILDartFILM-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/KULTUM-Die-Kunstkomplizen-\u00a9-WILDartFILM-768x432.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2026\/02\/KULTUM-Die-Kunstkomplizen-\u00a9-WILDartFILM.jpg 1067w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-94145\" class=\"wp-caption-text\">Still aus Die Kunstkomplizen \u00a9 WILDartFILM<\/p><\/div>\n<p class=\"p1\"><strong>Workshop discussion<br \/>\n<em>Die Kunstkomplizen<\/em><br \/>\n<\/strong><\/p>\n<p>What happens when art is created not in a studio, but in the midst of life? Ebba Sinzinger&#8217;s film Die Kunstkomplizen (The Art Accomplices) offers insights into the lives of Brigitte Prinzgau and Wolfgang Podgorschek, an artistic couple who, under the alias PRINZpod, cultivate a special complicity. Embedded in an interdisciplinary approach, a humorous and true-to-life story unfolds about partnership on many levels. Nathalie Pollauf talks to the filmmaker about artistic processes, artistic relationships, and the power of interconnection.<\/p>\n<p class=\"p1\">KULTUM. Center for Contemporary Art and Religion<br \/>\nSunday, March 21 | 5 p.m., free admission<\/p>\n<p class=\"p1\">In Cooperation with <a href=\"https:\/\/www.kultum.at\/\">Kultum<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<div id=\"attachment_86929\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-86929\" class=\"wp-image-86929 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2024\/03\/Web_1067x600_Breakfast-Club-524x295.jpg\" alt=\"\" width=\"524\" height=\"295\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2024\/03\/Web_1067x600_Breakfast-Club-524x295.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2024\/03\/Web_1067x600_Breakfast-Club-368x207.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2024\/03\/Web_1067x600_Breakfast-Club-176x99.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2024\/03\/Web_1067x600_Breakfast-Club-768x432.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2024\/03\/Web_1067x600_Breakfast-Club.jpg 1067w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-86929\" class=\"wp-caption-text\">\u00a9 Diagonale\/Miriam Raneburger<\/p><\/div>\n<p class=\"p1\"><strong>Cinema Next Breakfast Club<br \/>\n<em>The Joke\u2019s On \u2013 humorous storytelling in film<\/em><\/strong><\/p>\n<p class=\"p1\">In the film <em>The Breakfast Club<\/em>, five teenagers have to serve detention\u2014at Cinema Next Breakfast Club, it&#8217;s less strict: everyone is welcome to join in. Filmmakers, students, and film fans come together to share experiences, ask questions, and think ahead. Each edition begins with short inputs from guests from the industry, after which we open the floor for exchange and discussion.<\/p>\n<p class=\"p1\">Diagonale-Bar at Volksgarten Pavillon \u2013 hosted by Eule Bier<br \/>\nSunday March 22, 11 a.m. \u2013 1 p.m., free admission<\/p>\n<p class=\"p1\">A Diagonale event in collaboration with <a href=\"https:\/\/www.cinemanext.at\/\">Cinema Next &#8211; Young Film from Austria<\/a><\/p>\n<hr \/>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Panel <\/strong><em><strong>Und in der Mitte: Ein Wirtshaus<br \/>\nBetween tradition, change, and uncertainty about the future<\/strong><br \/>\n<\/em><\/p>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>In the panel discussion following the film program, the questions raised in the films will be further explored: Who sits at the ominous regulars&#8217; table? And who doesn&#8217;t? Who is actually in charge here\u2014the guest or the landlady? And what kind of future do we actually want for the pub? We discuss generational conflicts, the preservation of village centers, where the pub stands between tradition and change, and whether it needs to be rethought with filmmakers and experts. With Gloria Gammer (director), Heidemarie Stuck (town center manager, Moosburg), and Thomas Heissenberger (mayor &amp; cooperative founder of s&#8217;Hutwisch \u2013 Wirtshaus am Dach der Welt, Hochneukirchen-Gschaidt).<\/p>\n<div class=\"page\" title=\"Page 10\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Filmzentrum im Rechbauerkino<br \/>\nSunday March 22, 5.15 p.m., free admission<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"p1\">\n","protected":false},"excerpt":{"rendered":"<p>Das Tor zur Unwirklichkeit Michael Gu\u0308lzow What if we could effortlessly move between news, science fiction, and fake worlds? In Michael G\u00fclzow&#8217;s video installation, we travel with the protagonists through time and realities. The filmmaker examines the media construction of truth and blurs reality and fiction by mounting found footage and his own material. He [&hellip;]<\/p>\n","protected":false},"author":39,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-87008","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/87008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=87008"}],"version-history":[{"count":4,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/87008\/revisions"}],"predecessor-version":[{"id":94152,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/87008\/revisions\/94152"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=87008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}