{"id":81721,"date":"2019-03-06T11:42:31","date_gmt":"2019-03-06T10:42:31","guid":{"rendered":"https:\/\/www.diagonale.at\/in-referenz-19\/"},"modified":"2022-10-18T11:45:22","modified_gmt":"2022-10-18T09:45:22","slug":"in-referenz-19","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/in-referenz-19\/","title":{"rendered":"In Reference"},"content":{"rendered":"

The screen as hub \u2013 the In Reference<\/u> series seeks lines of connection and sets parentheses and footnotes in the festival program. Local film creation is interconnected with itself and with international positions.<\/p>\n

Rose McGowan as guest in Graz<\/h3>\n

On the Saturday of the festival, the world-famous actress, activist, and author Rose McGowan will talk about her book \u201cBRAVE,\u201d about #MeToo, and about her ongoing fight against the abuse of power in the (US film industry) and beyond. Paul Poet\u2019s eye-opening documentary My Talk with Florence<\/em>\u00a0(AT 2015) with live sound by Alec Empire will premiere as a bridge of sorts to the talk. Also presented on this occasion will be the DVD edition, soundtrack, and the media book for the film, which for its part, also contains texts by Rose McGowan et al.<\/p>\n

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Rose McGowan \u00a9 Claire Rothstein | Alec Empire \u00a9 The Hellish Vortex<\/p><\/div>\n

In Reference to the historical special<\/h3>\n

The short film program \u201cPoints of View \u2026 In Dialogue\u201d on the occasion of the fortieth anniversary of the Medienwerkstatt Wien turns to the question of representation, staging, and depiction of femininity(ies). Videos from the 1980s enter into dialogue with productions by the Golden Pixel Cooperative, kindred in terms of working methods and political views. Also two further cinematic positions with Austrian roots that tell of modern cinema\u2019s pictures of femininity meet: Otto Preminger\u2019s American Technicolor classic Bonjour Tristesse<\/em>\u00a0(US\/GB 1958) and\u00a0Hurra f\u00fcr Frau E.<\/em>\u00a0by G\u00fcnter Peter Straschek (BRD 1966). The screenings will be supplemented by an essay specially commissioned from the author Magnus Klaue. A double feature on the myths and staging of the actress Romy Schneider will be presented by the films Romy \u2013 Portrait eines Gesichts<\/em>\u00a0(D: Hans-J\u00fcrgen Syberberg, BRD 1967) and\u00a03 Tage in Quiberon<\/em>\u00a0(D: Emily Atef, DE\/AT\/FR 2018) with Marie B\u00e4umer and Birgit Minichmayr.<\/p>\n

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Bonjour Tristesse<\/em> \u00a9 Filmarchiv Austria<\/p><\/div>\n

In Reference to the festival trailer by Johann Lurf<\/h3>\n

Johann Lurf, the trailer artist for Diagonale\u201919, presents a short film program that he has curated, \u201cAgitation-Aesthetics-Politics.\u201d And what\u2019s more, from now on, every Diagonale will show in the night slot, the latest version of Lurf\u2019s steadily growing \u2605 (AT 2019) \u2013 a grandiose star atlas of film history. For the Diagonale, the Kunsthaus Graz will show works by Johann Lurf and Laura Wagner.<\/p>\n

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Johann Lurf \u00a9 Vladimir Canic | Cavalcade \u00a9 sixpackfilm<\/p><\/div>\n

Heinz Trenczak\u2019s 75th<\/sup> birthday<\/h3>\n

And last but not least, the In Reference series will show Greek Diary<\/em>\u00a0(AT 2018) by Heinz Trenczak, chronicler of and companion to public life in Graz.<\/p>\n

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Greek Diary \u00a9 Cl\u00e9ment Martz<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Die Reihe In Referenz greift wahlverwandte Themen auf, bringt sie in Verbindung zueinander und st\u00f6\u00dft T\u00fcren zu neuen Denkr\u00e4umen auf.<\/p>\n","protected":false},"author":39,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81721","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/81721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=81721"}],"version-history":[{"count":0,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/81721\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=81721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}