{"id":81682,"date":"2022-10-18T11:20:20","date_gmt":"2022-10-18T09:20:20","guid":{"rendered":"https:\/\/www.diagonale.at\/?page_id=81682"},"modified":"2022-10-18T11:20:20","modified_gmt":"2022-10-18T09:20:20","slug":"in-referenz-21","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/in-referenz-21\/","title":{"rendered":"In Reference"},"content":{"rendered":"<p>&nbsp;<\/p>\n<pre>xxx---xxx<\/pre>\n<p class=\"p1\">The screen as hub \u2013 the\u00a0<u>In Reference<\/u>\u00a0series seeks lines of connection and sets parentheses and footnotes in the festival program. Local film creation is interconnected with itself and with international positions.<\/p>\n<h3 class=\"p1\"><\/h3>\n<div id=\"attachment_65921\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-65921\" class=\"wp-image-65921 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger-524x380.jpg\" alt=\"\" width=\"524\" height=\"380\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger-524x380.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger-368x267.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger-176x128.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger-768x557.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger-1536x1115.jpg 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Ulrike-Ottinger-vor-Allen-Ginsberg-Paris-1965-\u00a9-Ulrike-Ottinger.jpg 1600w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-65921\" class=\"wp-caption-text\">Paris Calligrammes, Ulrike Ottinger in front of Allen Ginsberg, Paris 1965 \u00a9 Ulrike Ottinger<\/p><\/div>\n<h3 class=\"p1\"><span style=\"text-decoration: underline;\"><span class=\"s1\">Premiere tour: Ulrike Ottinger<\/span><\/span><\/h3>\n<p>Within the framework of a joint tour together with the Austrian Film Museum and Crossing Europe Film Festival Linz, the Diagonale\u201921 will premiere Ulrike Ottinger\u2019s <em>Paris Calligrammes<\/em> (DE\/FR 2019) in Graz. Ottinger, who was honored at the Berlinale 2020 for her life work, will be present at the screenings in Linz, Vienna, and Graz. The Festival of Austrian Film is showing the cinematic \u201cFigurengedicht\u201d (calligram), which had its world premiere in Berlin in 2020, as an extension of its historical special <u><a href=\"https:\/\/www.diagonale.at\/sehnsucht2021-city-and-desire\/\" target=\"_blank\" rel=\"noopener\">Sehnsucht 20\/21 \u2013 City and Desire<\/a><\/u>, as part of its festival series <u>In Reference<\/u>. An in-depth discussion with Ulrike Ottinger will take place following the screening in Graz (Diagonale im Dialog).<\/p>\n<p><span style=\"text-decoration: underline;\">Premiere tour dates: <em>Paris Calligrammes<\/em><\/span><br \/>\nCrossing Europe Film Festival Linz<br \/>\n\u2014\u2014\u2014 Friday, June 4, 2021<br \/>\nAustrian Film Museum, Vienna<br \/>\n\u2014\u2014\u2014 Tuesday, June 8, 2021<br \/>\nDiagonale \u2013 Festival of Austrian Film, Graz<br \/>\n\u2014\u2014\u2014 Wednesday, June 9, 2021<\/p>\n<div id=\"attachment_66893\" style=\"width: 534px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-66893\" class=\"wp-image-66893 size-large\" src=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger-524x389.jpg\" alt=\"\" width=\"524\" height=\"389\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger-524x389.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger-368x273.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger-176x131.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger-768x570.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger-1536x1140.jpg 1536w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2021\/04\/Paris-Calligrammes_Dieu-de-guerre-1967-\u00a9-Ulrike-Ottinger.jpg 1600w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><p id=\"caption-attachment-66893\" class=\"wp-caption-text\">Paris Calligrammes, Dieu De Guerre, 1967 \u00a9 Ulrike Ottinger<\/p><\/div>\n<p>Ulrike Ottinger, who as a young painter lived in Paris in the 1960s, interweaves her personal memories of bohemian Paris with the serious social, political, and cultural upheavals of that time \u201cinto a scintillating self-portrait\u201d (S\u00fcddeutsche Zeitung). Like in <em>Prater<\/em> (Diagonale\u201908), in which she delved into the fascination and cultural history of the eponymous Viennese amusement park, in <em>Paris Calligrammes<\/em>, the filmmaker once again creates a \u201ctopography of thoughts\u201d (Frankfurter Allgemeine Zeitung), telling of an immersed Paris that speaks of the vibrancy of life and also the fragility of all cultural and political achievements.<\/p>\n<p class=\"p1\">At the Festival of Austrian Film, <em>Paris Calligrammes <\/em>will be shown in reference to the historical special planned for the Diagonale\u201920: <u>Sehnsucht 20\/21 \u2013 City and Desire<\/u> revolves around the concepts of city and desire and is a joint program by the Diagonale, Filmarchiv Austria, the Austrian Film Museum, and, the ORF Archive.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &#8212; The screen as hub \u2013 the\u00a0In Reference\u00a0series seeks lines of connection and sets parentheses and footnotes in the festival program. Local film creation is interconnected with itself and with international positions. Premiere tour: Ulrike Ottinger Within the framework of a joint tour together with the Austrian Film Museum and Crossing Europe Film Festival [&hellip;]<\/p>\n","protected":false},"author":39,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-81682","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/81682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=81682"}],"version-history":[{"count":0,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/81682\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=81682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}