{"id":78551,"date":"2012-11-14T01:47:07","date_gmt":"2012-11-14T00:47:07","guid":{"rendered":"https:\/\/www.diagonale.at\/bisherige-drehbuchpreise\/"},"modified":"2025-12-30T17:01:52","modified_gmt":"2025-12-30T16:01:52","slug":"bisherige-drehbuchpreise","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/bisherige-drehbuchpreise\/","title":{"rendered":"| Previous Script Prize Winners"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>Award winners of the Carl Mayer Screenwriting Prizes<\/strong><\/p>\n<p>2025: Klemens Hufnagl for the Treatment <a href=\"https:\/\/www.diagonale.at\/en\/carl-mayer-drehbuchpreise-25\/\"><em>Wenn Fische Robben fressen<\/em><\/a><\/p>\n<p>2024: Vivian Bausch and Fabian Rausch for the Treatment <em>Soldat<\/em><\/p>\n<p>2023: Franziska Pflaum and Thomas Mratz for the Treatment <em>Basta<\/em><\/p>\n<p>2022: Manuel Wetscher (together with co-author Bernhard Jarosch) for the Treatment <em>Eklipse<\/em><\/p>\n<p>2021: Pipi Fr\u00f6stl for the Treatment <em>(w)hole<\/em><\/p>\n<p>2020: Josef Kleindienst for the Treatment <em>Die Verk\u00fcndung<\/em><\/p>\n<p>2019: \u00a0Jessica Lind for the Treatment <em>Der Tag, an dem der Regen kam<\/em><\/p>\n<p>2018:\u00a0 Johannes H\u00f6\u00df und Clara Stern for the Treatment <em>Hacklerstreich<\/em><\/p>\n<p>2017: Evi Romen for the Treatment\u00a0<em>Hochwald<\/em><\/p>\n<p>2016: Clara Stern for the Treatment\u00a0<em>Training<\/em><\/p>\n<p>2015: Siegmund Skalar for the Treatment <em>Die Stille<\/em><\/p>\n<p>2014:\u00a0Tina Leisch for the Treatment\u00a0<em>Vom Anblick der Waffen versprach ich mir H\u00e4nde\u00a0<\/em><span style=\"line-height: 1.5em;\"><br \/>\nas well as\u00a0Wolfgang Muhr for the Treatment\u00a0<\/span><em style=\"line-height: 1.5em;\">Mehr als allein\u00a0<\/em><br \/>\nas well as Rainer Weidlinger for the Treatment\u00a0<em>Reise nach Mond<\/em><\/p>\n<p>2013: Monja Art for the Treatment <em>Siebzehn<\/em><\/p>\n<p>2012: Christoph Brunner and Kevin Lutz for the Treatment <em>Constantin Nikolaus Bickermann<\/em><\/p>\n<p>2011: Jakob Pretterhofer for the Treatment <em>\u00dcberleben<\/em><\/p>\n<p>2010: Wolfgang Rupert Muhr\u00a0for the Treatment <em>Grossmattglocknerhorn<\/em><\/p>\n<p>2009: Richard Schuberth for the Treatment <em>Claudia schafft das schon<\/em><\/p>\n<p>2008: Markus M\u00f6rth for the Treatment <em>Pony<\/em><\/p>\n<p>2007: Thomas Reider\u00a0for the\u00a0 Treatment <em>Stillleben<\/em><\/p>\n<p>2006: Thomas Weingartner\u00a0for the Treatment <em>Immer nie am Meer<\/em><\/p>\n<p>2005: Andrina Mra\u010dnikar\u00a0for the Treatment <em>Ma Folie<\/em><br \/>\nas well as Martin Leidenfrost and Ruth Mader\u00a0for the Treatment <em>Serviam \u2013 Ich will dienen<\/em><\/p>\n<p>2004: Richard Schuberth\u00a0for the Treatment <em>Handy-Geschichten<\/em><\/p>\n<p>2002 and 2003 : not awarded<\/p>\n<p>2001: Gregor Stadlober\u00a0for the Treatment <em>Kotsch<\/em><\/p>\n<p>2000: Gabriele Neudecker\u00a0for the Treatment <em>Namenlos<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Award winners of the Carl Mayer Screenwriting Prize for New Authors<br \/>\n<\/strong><\/p>\n<p>2025: Stefan Soder for the Treatment <a href=\"https:\/\/www.diagonale.at\/en\/carl-mayer-drehbuchpreise-25\/\"><em>Schorsch<\/em><\/a><\/p>\n<p>2024: Elena Wolff for the Treamtment <em>Ilvie (renaissance)<\/em><\/p>\n<p>2023: Stefan Bohun for the Treatment <em>Perfect match<\/em><\/p>\n<p>2022: Maximilian F\u00fcrst for the Treatment <em>Die Familie Hasanovic<\/em><\/p>\n<p>2021: Tobias Langer for the Treatment <em>Der Garten Eden<\/em><\/p>\n<p>2020: Jan Prazak for the Treatment <em>Flat Mates<\/em><\/p>\n<p>2019: Ulrike Kofler for the Treatment <em>Full House<\/em><\/p>\n<p>2017: Nikolaus M\u00fcller for the Treatment\u00a0<em>Rote Wand<\/em><\/p>\n<p>2016: Franziska Pflaum und Roman Gielke for the Treatment\u00a0<em>Schneegest\u00f6ber<\/em><\/p>\n<p>2015: Matthias Writze and Michael Podogil for the Treatment <em>The Power of Love<\/em><\/p>\n<p>2014:\u00a0Tina Leisch for the Treatment\u00a0<em>Vom Anblick der Waffen versprach ich mir H\u00e4nde\u00a0<\/em><span style=\"line-height: 1.5em;\"><br \/>\nas well as\u00a0Wolfgang Muhr for the Treatment\u00a0<\/span><em style=\"line-height: 1.5em;\">Mehr als allein\u00a0<\/em><br \/>\nas well as Rainer Weidlinger for the Treatment\u00a0<em>Reise nach Mond<\/em><\/p>\n<p>2013: Achmed Abdel-Salam for the Treatment <em>Der Rand<\/em><\/p>\n<p>2012: H\u00fcseyin Tabak for the Treatment <em>Es war einmal in Wien<\/em><\/p>\n<p>2011: Markus M\u00f6rth\u00a0for the Treatment <em>Geschwister<\/em><\/p>\n<p>2010: Henning Backhaus\u00a0for the Treatment <em>Kinderszenen<\/em><\/p>\n<p>2009: Albert Meisl\u00a0for the Treatment <em>Nur ein Spiel<\/em><\/p>\n<p>2008: not awarded<\/p>\n<p>2007: Christoph Hochenbichler and Josef Pallwein-Prettner\u00a0for the Treatment <em>F\u00fcnf Leben<\/em><\/p>\n<p>2006: Lilly J\u00e4ckl\u00a0for the Treatment <em>Ildiko<\/em><\/p>\n<p>2005: Christian Frosch\u00a0for the Treatment <em>Vanitas<\/em><\/p>\n<p>2004: Simone Sch\u00f6nett and Harald Schwinger\u00a0for the Treatment<em> Innere Liebe<\/em><\/p>\n<p>2003: Barbara Grascher\u00a0for the Treatment <em>Gehen r\u00fcckw\u00e4rts stumm<\/em><br \/>\nas well as Richard Schuberth for the Treatment <em>Nicht einmal am Mond<\/em><\/p>\n<p>2002: Ursula Wolschlager for the Treatment <em>Transit<\/em><br \/>\nas well as Thomas Klein\u00a0for the Treatment <em>Polterabend<\/em><\/p>\n<p>2001: Richard Stradner\u00a0for the Treatment <em>B\u00f6hmische Elefanten<\/em><br \/>\nas well as Arno Geiger and Tobias Albrecht\u00a0for the Treatment <em>Steinwald und Atamanov<\/em><\/p>\n<p>2000: Peter Stastny\u00a0for the Treatment <em>Tikkun<\/em><br \/>\nas well as Helmut Wimmer\u00a0for the Treatment <em>Akt<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Award winners of the Carl Mayer ORF-Prize for TV-oriented Topics<\/strong><br \/>\n<strong>(this prize was awarded between 2000\u20132007)<\/strong><\/p>\n<p>2007 Ulla Neuwirther <em>Running Sushi<\/em><\/p>\n<p>2006 Susanne Rendl <em>Magda&#8217;s Dilemma<\/em><\/p>\n<p>2005: not awarded<\/p>\n<p>2004 Bernd Schneider <em>Abidjan<\/em><\/p>\n<p>2003 Ulla Neuwirther <em>Lisa, Lena und Laura<\/em><\/p>\n<p>2002 Daniela Egger <em>World Wide Violence<\/em><\/p>\n<p>2001: not awarded<\/p>\n<p>2000 Uwe Neuhold and Thomas Klein <em>Memorex<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Award winners of the Thomas Pluch Screenwriting Prize<br \/>\n<\/strong><\/p>\n<p>2025: Mo Harawe for <a href=\"https:\/\/www.diagonale.at\/en\/thomas-pluch-drehbuchpreise-25\/\"><em>The Village Next to Paradise<\/em><\/a><\/p>\n<p>2024: Veronika Franz and Severin Fiala for The Devil&#8217;s Bath<\/p>\n<p>2023: Marie Kreutzer for <em>Corsage<\/em><\/p>\n<p>2022: Thomas Reider and Sebastian Meise for <em>GROSSE FREIHEIT<\/em><\/p>\n<p>2021: Ulrike Kofler, Sandra Bohle and Marie Kreutzer for <em>Was wir wollten<\/em><\/p>\n<p>2020: Johanna Moder for <em>Waren einmal Revoluzzer<\/em><\/p>\n<p>2019: Christian Frosch for the Script <em>Murer \u2013 Anatomie eines <\/em><em>Prozesses<\/em><\/p>\n<p>2018: Kathrin Resetarits for the Script <em>LICHT<\/em><\/p>\n<p>2017: H\u00e4ndl Klaus for the Script\u00a0<em>Kater<\/em><\/p>\n<p>2016: Elisabeth Scharang for the Script\u00a0<em>Jack<\/em><\/p>\n<p>2015: Karl Markovics for the Script <em>SUPERWELT<\/em><\/p>\n<p>2014:\u00a0G\u00f6tz Spielmann for the Script <em>Oktober November<\/em><br \/>\nas well as Agnes Pluch and Nikolaus Leytner for <em>Die Ausl\u00f6schung<\/em><\/p>\n<p>2013: Petra Ladinigg and Umut Da\u011f for the Script <em>Kuma<\/em><\/p>\n<p>2012: Markus Schleinzer for the Script <em>Michael<\/em><\/p>\n<p>2011: Martin Ambrosch \u2028for the Script <em>Spuren des B\u00f6sen<\/em><\/p>\n<p>2010: Jessica Hausner\u00a0for the Script <em>Lourdes<\/em><\/p>\n<p>2009: Arash T. Riahi\u00a0for the Script <em>Ein Augenblick Freiheit<\/em><\/p>\n<p>2008: Ernst Gossner for the Script <em>South Of Pico<\/em><\/p>\n<p>2007: Stefan Ruzowitzky\u00a0for the Script <em>Die F\u00e4lscher<\/em><\/p>\n<p>2006: Michael Glawogger\u00a0for the Script <em>Slumming<\/em><\/p>\n<p>2005: Jessica Hausner\u00a0for the Script <em>Hotel<\/em><\/p>\n<p>2004: Barbara Albert\u00a0for the Script <em>B\u00f6se Zellen<\/em><\/p>\n<p>2001: Barbara Albert\u00a0for the Script <em>Nordrand<\/em><\/p>\n<p>1998: Stefan Ruzowitzky\u00a0for the Script <em>Siebtelbauern<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><strong>Award winners of the Thomas Pluch Screenwriting Prize<\/strong><br \/>\nSpecial Prize by the jury<br \/>\n<\/strong><\/p>\n<p>2025: Marie Luise Lehner for <a href=\"https:\/\/www.diagonale.at\/en\/thomas-pluch-drehbuchpreise-25\/\"><em>Wenn du Angst hast nimmst du dein Herz in den Mund und l\u00e4chelst<\/em><\/a><\/p>\n<p>2024: Anja Salomonowitz for Sleeping With a Tiger<\/p>\n<p>2023: Tizza Covi for <em>VERA<\/em><\/p>\n<p>2022: Kurdwin Ayub for <em>SONNE<\/em><\/p>\n<p>2021: Arman T. Riahi for <em>Fuchs im Bau<\/em><br \/>\nas well as Pia Hierzegger for <em>Waidmannsdank<\/em><\/p>\n<p>2020: Sandra Wollner for <em>The Trouble With Being Born<\/em><\/p>\n<p>2019: Gregor Schmidinger for <em>NEVRLAND<\/em><\/p>\n<p>2018: Clemens Setz, Sebastian Brauneis and Nicholas Ofczarek for <em>Zauberer<\/em><\/p>\n<p>2017: Monja Art for\u00a0<em>Siebzehn<\/em>\u00a0and Tizza Covi for\u00a0<em>Mister Universo<\/em><\/p>\n<p>2016: Stefan Hafner and Thomas Weingartner for\u00a0<em>Wenn du wu\u0308sstest, wie sch\u00f6n es hier ist<\/em><\/p>\n<p>2015: Veronika Franz and Severin Fiala for <em>Ich seh Ich seh<\/em><\/p>\n<p>2014:\u00a0Sudabeh Mortezai for <em>Macondo<\/em><\/p>\n<p>2013: Xaver Bayer, Tizza Covi and Rainer Frimmel for <em>Der Glanz des Tages<\/em><br \/>\nas well as (divided prize)\u00a0 Catalina Molina for <em>Unser Lied<\/em> and J\u00fcrgen Karasek for <em>Novemberlichter<\/em><\/p>\n<p>2012: Thomas Reider and Sebastian Meise\u00a0for the Script <em>Stillleben<\/em><br \/>\nas well as Stefanie Franz\u00a0for the Script <em>Papa<\/em><\/p>\n<p>2011: Erwin Wagenhofer\u00a0for the Script <em>Black Brown White<\/em><br \/>\nas well as Houchang Allahyari\u00a0for the Script <em>Die verr\u00fcckte Welt der Ute Bock<\/em><\/p>\n<p>2010: Thomas Woschitz\u00a0for the Script <em>Universalove<\/em><br \/>\nas well as Jasmina Eleta\u00a0for the Script <em>Fern &amp; Nah<\/em><br \/>\nas well as Anna Schwingenschuh\u00a0for the Script <em>Der Herzerlfresser<\/em><\/p>\n<p>2009: Alexander Stecher\u00a0for the Script <em>Das gro\u00dfe Gl\u00fcck sozusagen<\/em><br \/>\nas well as Katharina M\u00fcckstein\u00a0for the Script <em>Die Vereinigung<\/em><br \/>\nas well as Severin Fiala and Ulrike Putzer\u00a0for the Script <em>Elefantenhaut<\/em><\/p>\n<p>2008: Lukas Miko\u00a0for the Script <em>Das gefrorene Meer<\/em><br \/>\nas well as Libertad Hackl and Lena Kammermeier\u00a0for the Script <em>Bleiben will ich, wo ich nie gewesen bin<\/em><\/p>\n<p>2007: Marie Kreutzer for the Script <em>White Box<\/em><br \/>\nas well as Christoph Grissemann, Dirk Stermann, Heinz Strunk, Antonin Svoboda and J\u00f6rg Kalt\u00a0for the Script <em>Immer nie am Meer<\/em><\/p>\n<p>2006: Johanna Moder and Pia Hierzegger\u00a0for the Script <em>Her mit dem sch\u00f6nen Leben<\/em><br \/>\nas well as David Schalko\u00a0for the Script <em>Heaven<\/em><\/p>\n<p>2005: Michael Ramsauer\u00a0for the Script <em>Echos<\/em><br \/>\nas well as J\u00f6rg Kalt\u00a0for the Script <em>Crash Test Dummies<\/em><\/p>\n<p>2004: Andrea Dusl\u00a0for the Script <em>Blue Moon<\/em><br \/>\nas well as Ulrike Schweiger\u00a0for the Script <em>Twinni<\/em><\/p>\n<p>2001: Sabine Hiebler and Gerhard Ertl\u00a0for the Script <em>Nogo<\/em><br \/>\nas well as Jessica Hausner\u00a0for the Script <em>Lovely Rita<\/em><\/p>\n<p>1998: Goran Rebic for <em>Jugofilm<\/em><br \/>\nas well as Philipp Mosser and Bernhard Schmid\u00a0for the Script <em>Elu Sonntag Sonderbar<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Award winners of the Thomas Pluch Screenwriting Prize for short or medium length feature films\u00a0<\/strong><\/p>\n<p>2025: Leni Gruber and Alex Reinberg for <a href=\"https:\/\/www.diagonale.at\/en\/thomas-pluch-drehbuchpreise-25\/\"><em>Preiswerte L\u00f6sungen f\u00fcr ein besseres Leben<\/em><\/a><\/p>\n<p>2024: Felix Krisai and Pipi Fr\u00f6stl for <a href=\"https:\/\/www.diagonale.at\/en\/filmarchiv\/?fscope=films&#038;fyear=0&#038;ftitle=strangers%20like%20us&#038;fgenre=0&#038;fsearch=suchen&#038;fpage=0&#038;fid=12333\"><em>Strangers Like Us<\/em><\/a><\/p>\n<p>2023: K\u00e1lm\u00e1n Nagy for <em>Das andere Ende der Stra\u00dfe<\/em><\/p>\n<p>2022: Fatih G\u00fcrsoey for <em>Neverinland<\/em><\/p>\n<p>2021: Klara von Veegh for <em>Fidibus<\/em><br \/>\nas well as Mo Harawe for <em>Life on the Horn<\/em><\/p>\n<p>2020: Stefan Langthaler for <em>Fabiu<\/em><\/p>\n<p>2019: Albert Meisl for <em>Die Schwingen des Geistes<\/em><\/p>\n<p>2018: Timothy Bidwell for <em>Der Ausflug<\/em>, after an idea by J\u00fcrgen Karasek<\/p>\n<p>2017: Nora Friedel for\u00a0<em>Mimikri<\/em><\/p>\n<p>2016: Maria Luz Olivares Capelle for\u00a0<em>Wald der Echos<\/em><\/p>\n<p>2015: Rafael Haider for <em>Esel<\/em><\/p>\n<p>2014: Vanessa Gr\u00e4fingholt, Clara Trischler (script) and Jakob Pretterhofer (script collaborator) for\u00a0<i>Tuppern<\/i><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Award winners of Carl Mayer and Thomas Pluch Screenwriting Prizes<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-78551","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/78551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=78551"}],"version-history":[{"count":2,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/78551\/revisions"}],"predecessor-version":[{"id":93006,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/78551\/revisions\/93006"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=78551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}