{"id":28460,"date":"2015-03-10T07:26:00","date_gmt":"2015-03-10T06:26:00","guid":{"rendered":"http:\/\/www.diagonale.at\/?page_id=28460"},"modified":"2022-10-18T13:40:17","modified_gmt":"2022-10-18T11:40:17","slug":"special-program-the-exiled-avant-garde","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/special-program-the-exiled-avant-garde\/","title":{"rendered":"Special Program: The Exiled Avant-garde"},"content":{"rendered":"

Presented by SYNEMA<\/p>\n

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Curated by Brigitte Mayr and Michael Omasta<\/p>\n

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xxx<\/pre>\n
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The series of historic films entitled FilmExil, courtesy of the seasoned cooperation with Synema, draws on filmmakers with Austrian roots who were driven out by the National Socialists.<\/p>\n
\"Ern\u00f6<\/a>
Ern\u00f6 Metzner: Polizeibericht \u00dcberfall \u00a9 filmexil@synema.at<\/p><\/div>\n
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\u201cA film is art when an independent artist works on it,\u201d according to Alexander Hackenschmied, enthusiastic avant-gardist in Prague of the 1930s and later a trailblazer in independent cinema in the U.S. His pioneering work Bezu\u0301c\u030celna\u0301 procha\u0301zka offers the start to the historical series. Three programs commemorate several (old-)Austrian filmmakers who shaped innovative cinema in its early days, before they were forced to leave their places of work in Berlin, Vienna, Budapest, and Prague.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
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Diagonale 2015 presents:
\nProgram 1
\n<\/strong>Bezu\u0301c\u030celna\u0301 procha\u0301zka<\/em> (Spaziergang ins Blaue, Alexander Hackenschmied, 1930)
\nZe soboty na nede\u030cli<\/em> (Von Samstag auf Sonntag, Gustav Machaty\u0301, 1931)
\nIntroduction: Brigitte Mayr<\/p>\n
Program 2: Subversive Shorts
\n<\/strong>Polizeibericht U\u0308berfall<\/em> (Erno\u030b Metzner, 1928\/29)
\nImpressionen vom alten Marseiller Hafen<\/em> (La\u0301szlo\u0301 Moholy-Nagy, 1929)
\nL\u2019Ide\u0301e<\/em> (Berthold Bartosch, 1932)
\nIm Schatten der Maschine. Ein Montagefilm<\/em> (Albrecht Viktor Blum, Leo Lania, 1928)
\nChasing the Blues<\/em> (J. D. Chambers, Jack Ellitt, 1947)
\nIntroduction: Michael Omasta<\/p>\n
Program 3
\n<\/strong>The Robber Symphony<\/em> (Friedrich Feher, GB 1936)
\nIntroduction: Christian Cargnelli<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Presented by SYNEMA  Curated by Brigitte Mayr and Michael Omasta      The series of historic films entitled FilmExil, courtesy of the seasoned cooperation with Synema, draws on filmmakers with Austrian roots who were driven out by the National Socialists. \u201cA film is art when an independent artist works on it,\u201d […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28460","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/28460","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=28460"}],"version-history":[{"count":0,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/28460\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=28460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}