{"id":24026,"date":"2015-01-26T12:40:08","date_gmt":"2015-01-26T11:40:08","guid":{"rendered":"http:\/\/www.diagonale.at\/?page_id=24026"},"modified":"2015-03-10T07:26:56","modified_gmt":"2015-03-10T06:26:56","slug":"special-film-historical-programs","status":"publish","type":"page","link":"https:\/\/www.diagonale.at\/en\/special-film-historical-programs\/","title":{"rendered":"Special film-historical programs"},"content":{"rendered":"<p><strong>Special Program: Alfred Kaiser<\/strong><\/p>\n<p>Presented by the Austrian Film Museum<\/p>\n<div id=\"attachment_23908\" style=\"width: 378px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-23908\" class=\"wp-image-23908 size-medium\" src=\"http:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum-368x276.jpg\" alt=\"Alfred Kaiser: Kaiserschnitt \u00a9 Sammlung \u00d6sterreichisches Filmmuseum\" width=\"368\" height=\"276\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum-368x276.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum-524x393.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum-176x132.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum-768x576.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Alfred-Kaiser-Kaiserschnitt1-c-Sammlung-Oesterreichisches-Filmmuseum.jpg 1500w\" sizes=\"(max-width: 368px) 100vw, 368px\" \/><\/a><p id=\"caption-attachment-23908\" class=\"wp-caption-text\">Alfred Kaiser: Kaiserschnitt \u00a9 Sammlung \u00d6sterreichisches Filmmuseum<\/p><\/div>\n<p>Filmmaker, painter, composer, musician, and writer: with the freshly restored work of <strong>Alfred Kaiser<\/strong> (1940\u20131994), the Austrian film museum presents a figure from local film history who is little known despite his diverse artistic talents. His works present radical versions of documentary cinema: A pioneering oeuvre, shown on the big screen for the first time in a long time. Not to be missed!<\/p>\n<p><strong>Diagonale 2015 presents:<\/strong><br \/>\n<strong>Program 1<\/strong><br \/>\n<em>Ein drittes Reich<\/em> (1975)<br \/>\n<em>Noch ein drittes Reich aus seinem Abfall<\/em> (1977)<br \/>\nIntroduction: Georg Wasner<br \/>\n<strong>Program 2<\/strong><br \/>\n<em>Kaiserschnitt \u2013 eine Operette<\/em> (1977)<br \/>\nIntroduction: Georg Wasner<br \/>\n<strong>Program 3<\/strong><br \/>\n<em>Zettelda\u0308mmerung<\/em> (1979)<br \/>\nIntroduction: Alejandro Bachmann<\/p>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 14\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>Special Program: The Exiled Avant-garde<\/h3>\n<p>Presented by SYNEMA<br \/>\nThe series of historic films entitled FilmExil, courtesy of the seasoned cooperation with Synema, draws on filmmakers with Austrian roots who were driven out by the National Socialists.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"attachment_23909\" style=\"width: 534px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-23909\" class=\"wp-image-23909 size-large\" src=\"http:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_-524x393.jpg\" alt=\"Ern\u00f6 Metzner: Polizeibericht \u00dcberfall \u00a9 filmexil@synema.at\" width=\"524\" height=\"393\" srcset=\"https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_-524x393.jpg 524w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_-368x276.jpg 368w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_-176x132.jpg 176w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_-768x576.jpg 768w, https:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Ernoe-Metzner-Polizeibericht-Ueberfall-c-filmexil-synema.at_.jpg 1500w\" sizes=\"(max-width: 524px) 100vw, 524px\" \/><\/a><p id=\"caption-attachment-23909\" class=\"wp-caption-text\">Ern\u00f6 Metzner: Polizeibericht \u00dcberfall \u00a9 filmexil@synema.at<\/p><\/div>\n<div class=\"page\" title=\"Page 14\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>\u201cA film is art when an independent artist works on it,\u201d according to Alexander Hackenschmied, enthusiastic avant-gardist in Prague of the 1930s and later a trailblazer in independent cinema in the U.S. His pioneering work Bezu\u0301c\u030celna\u0301 procha\u0301zka offers the start to the historical series. Three programs commemorate several (old-)Austrian filmmakers who shaped innovative cinema in its early days, before they were forced to leave their places of work in Berlin, Vienna, Budapest, and Prague.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>Curated by Brigitte Mayr and Michael Omasta<\/p>\n<div class=\"page\" title=\"Page 14\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Diagonale 2015 presents:<br \/>\nProgram 1<br \/>\n<\/strong><em>Bezu\u0301c\u030celna\u0301 procha\u0301zka<\/em> (Spaziergang ins Blaue, Alexander Hackenschmied, 1930)<br \/>\n<em>Ze soboty na nede\u030cli<\/em> (Von Samstag auf Sonntag, Gustav Machaty\u0301, 1931)<br \/>\nIntroduction: Brigitte Mayr<br \/>\n<strong>Program 2: Subversive Shorts<br \/>\n<\/strong><em>Polizeibericht U\u0308berfall<\/em> (Erno\u030b Metzner, 1928\/29)<br \/>\n<em>Impressionen vom alten Marseiller Hafen<\/em> (La\u0301szlo\u0301 Moholy-Nagy, 1929)<br \/>\n<em>L\u2019Ide\u0301e<\/em> (Berthold Bartosch, 1932)<br \/>\n<em>Im Schatten der Maschine. Ein Montagefilm<\/em> (Albrecht Viktor Blum, Leo Lania, 1928)<br \/>\n<em>Chasing the Blues<\/em> (J. D. Chambers, Jack Ellitt, 1947)<br \/>\nIntroduction: Michael Omasta<br \/>\n<strong>Program 3<br \/>\n<\/strong><em>The Robber Symphony<\/em> (Friedrich Feher, GB 1936)<br \/>\nIntroduction: Christian Cargnelli<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"attachment_23907\" style=\"width: 378px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Der-Rabe-c-Filmarchiv-Austria.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-23907\" class=\"wp-image-23907 size-medium\" src=\"http:\/\/www.diagonale.at\/wp-content\/uploads\/2015\/01\/Der-Rabe-c-Filmarchiv-Austria-368x262.jpg\" alt=\"Kurt Steinwendner: Der Rabe \u00a9 Filmarchiv Austria\" width=\"368\" height=\"262\" \/><\/a><p id=\"caption-attachment-23907\" class=\"wp-caption-text\">Kurt Steinwendner: Der Rabe \u00a9 Filmarchiv Austria<\/p><\/div>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h3>Special Program: Self-Will and History<\/h3>\n<p>Presented by Filmarchiv Austria<\/p>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Film as history. History in film: Along a broad spectrum of different types of films, such as trailers, weekly overview reports, avant-garde and feature films, in three chapters, the Filmarchiv Austria pursues the changeful charged relationship of film and history\u2014including shifts in perspective and agitation: from the trauma of World War I and its expression in film to the politically contested 1930s and the postwar era through to the present. Naturally, numerous gems from the archive will surface on this journey through time.<\/p>\n<p>Curated by Thomas Ballhausen<\/p>\n<p><strong>Diagonale 2015 presents:<br \/>\nProgram 1: Entropie<br \/>\n<\/strong><em>100 mal \u201eWelt im Film\u201c<\/em> (Bizone 1947)<br \/>\n<em>Der Rabe<\/em> (Kurt Steinwendner, Wolfgang Kudrnofsky, 1951)<br \/>\n<em>Im Museum<\/em> (Werner Kofler, 1993)<br \/>\n<em>Mu\u0308llers Bu\u0308ro<\/em> (Trailer) (Niki List, 1986)<br \/>\n<em>Apariciones<\/em> (Maria Luz Olivares Capelle, 2014)<br \/>\n<strong>Program 2: Manipulationen<\/strong><br \/>\n<em>O\u0308sterreich in Bild und Ton Nr. 37a\/1934<\/em> (1934)<br \/>\n<em>Schulter an Schulter<\/em> (Compilation: Erwin Wratschko, 1936)<br \/>\n<em>Ostmark-Wochenschau Nr. 12\/1938<\/em> (1938)<br \/>\n<em>Wahlwerbefilm zur Volksabstimmung am 10. April 1938<\/em> (1938)<br \/>\n<strong>Program 3: Narben<\/strong><br \/>\n<em>Defilee von o\u0308sterreichischen Kriegsinvaliden im Ersten Weltkrieg<\/em> (1918)<br \/>\n<em>Orlac\u2019s Ha\u0308nde<\/em> (Robert Wiene, 1925), musical accompaniment by David Schweighart<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Special Program: Alfred Kaiser Presented by the Austrian Film Museum Filmmaker, painter, composer, musician, and writer: with the freshly restored work of Alfred Kaiser (1940\u20131994), the Austrian film museum presents a figure from local film history who is little known despite his diverse artistic talents. His works present radical versions of documentary cinema: A pioneering [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-24026","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/24026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/comments?post=24026"}],"version-history":[{"count":0,"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/pages\/24026\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.diagonale.at\/en\/wp-json\/wp\/v2\/media?parent=24026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}